Smith found his voice as an 8-year-old student of jazz singer Joanna Eden’s, and this foundation gives his songs power with simplicity leaving exponential room for growth. Smith said he has never been in a relationship, but he does know the feeling of craving love and relays this emotion with profound conviction. Opening with swirling strings, “Good Thing” is the first of several songs where Smith sounds wounded as his voice softly establishes the album’s unrequited love motif. Leading off with the second single “Money On My Mind,” Smith shows off his range by hitting higher notes than any average man should be capable of. Unfortunately Smith doesn’t branch out with something experimental or even risky while In The Lonely Hour plays its safe with soft, soulful ballads. What’s refreshing is Smith lets his voice make the music what it is, while his contemporaries succeeding in mainstream pop music currently include perishable acts like Calvin Harris and Iggy Azalea. It will be exciting to see what this 22-year-old will accomplish in the coming years, but his Capitol Records debut In The Lonely Hour’s shining moments fall flat on reaching their true potential while showcasing Smith’s more than capable of achieving the opposite. Smith also won BRIT Critics’ Choice Award and BBC Sound of 2014 solidifying him as an outright UK pop star. His swift ride to fame post-Disclosure came in part from his debut EP Nirvana, a stellar performance on SNL, and collaborations with Naughty Boy and Mary J. His talents have since taken him from bartending in Essex to traveling the world while simultaneously having three songs on Billboard’s Hot 100. After falling under Disclosure’s dance-pop spell with their excellent debut LP Settle last summer, many started to wonder just who is this guy with the voice of an angel on “Latch”? Sam Smith’s voice alone nearly accomplishes what those lyrics detail.
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